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Frames of Mind

Thoughts inspired by images of the Peninsulas​
Ardgour | Ardnamurchan | Moidart | Morvern | Sunart

Long Days of Summer

17/5/2025

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June is only a couple of weeks away and, because it is the month of the summer solstice, I thought I’d share this image of Ardnamurchan Lighthouse with you. It was taken at 1:52 am on the day of the Summer Solstice a couple of years ago, when it was the ‘longest day’ and the ‘shortest night’ of the year. At this time of the year, it never really gets dark here on the Peninsula. Instead, the night is bathed in a soft, blue and lingering twilight. It is when we experience some of the longest daylight hours in Europe. These long summer days not only bring an increase in average temperatures but often lift our spirits and enhance our sense of wellbeing.
Ardnamurchan Lighthouse beneath the forever blue twilight of a short midsummer night | Ardnamurchan Scotland | Steven Marshall Photography
Forever Blue - Ardnamurchan Lighthouse, Ardnamurchan
​Although often referred to as the “Longest Day,” the summer solstice is actually the precise moment in time when the North Pole reaches its maximum tilt toward the Sun. This year, it occurs at 3:41 am on Saturday, June 21st. For those of us on the Peninsula, the Sun will rise at 4:27:39 am at its north-easternmost point of the year and won’t set until 10:22:32 pm, when it dips below the horizon at its north-westernmost point of the year. That will give us a remarkable 17 hours, 54 minutes, and 53 seconds of daylight. It’s little wonder that, after enduring the long, dark days of winter, these long summer days have such an uplifting effect on our mood and overall well-being.
 
A major reason for this seasonal boost is increased exposure to sunlight. Sunlight stimulates the brain to produce more serotonin—the “feel-good” chemical responsible for enhancing mood, calming the mind, and sharpening focus. With higher levels of serotonin, people often feel lighter, brighter, and more resilient. This is especially beneficial for those affected by seasonal affective disorder (SAD), a type of depression that often emerges with the darkness and cold of winter.
 
Sunlight also plays a crucial role in regulating our circadian rhythm, the body’s internal clock that governs when we feel awake or sleepy. As we stir in the morning, specialised cells in our eyes pick up on natural light, especially the blue in it, and send signals to the brain’s master clock. Our brain realises that it’s daytime and starts waking us up by adjusting things like hormones and body temperature. This daily reset helps our body stay in sync with the 24-hour day, helping us feel more alert, sleep more soundly, and function at our best.
 
Beyond its biological benefits, the abundance of daylight in summer invites us to spend more time outdoors, encouraging physical activity and fostering a deeper connection with nature. This combination of movement and mindful presence supports not only physical health but also mental well-being. While I certainly appreciate the physical perks, such as improved cardiovascular fitness, it’s the mental and emotional restoration that I appreciate most.
 
There is something hugely restorative and healing about spending time outside in the warm glow of summer, whether it’s a long walk in the hills, taking in the beautiful scenery, or sitting quietly by the shore, listening to the soothing rhythm of waves lapping on the shore.
 
When I spend time like this in nature, I notice that my attention is gently drawn rather than forcibly grabbed. This experience, known as “soft fascination”, describes the calming engagement we feel in natural environments. Instead of the noise and distractions of modern life, nature offers subtler, soothing stimuli – the rustle of leaves, the gentle babble of a stream, or clouds slowly shifting overhead. These quiet elements hold our attention just enough to keep us present without overwhelming the senses, allowing the mind to rest and recover. This in turn helps reduce mental fatigue and lower stress levels.
 
So ultimately, the long summer days help me sleep more soundly, feel more grounded, and experience the world with a calm sense of mindfulness. They remind me to slow down, be present, and let nature quietly work its magic. Here’s to those long and glorious days of summer – may they arrive quickly and linger long.
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Shades of Green

18/4/2025

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Last month, I mentioned the remarkable transformation soon to take place around Loch Sunart, as the ancient Atlantic oakwood prepared to unfurl its fresh spring leaves. Now, that change is fully in motion. The once bare woodlands have come alive, and the hillsides surrounding the loch are now blanketed in a rich tapestry of green, with countless verdant shades blending to create a vibrant and beautiful scene. Our eyes are especially tuned to this display – of all the colours in the spectrum, we can see more shades of green than any other. It is also a colour that helps us feel more at peace and connected to nature.
Light filtering through the green canopy of a grand beech tree illuminating the woodland floor beneath it | Sunart Scotland | Steven Marshall Photography
Verdant Canopy - Phemie’s Walk, Strontian, Sunart
​To understand why our eyes are so adept at detecting and differentiating so many shades of green, it’s important to examine the underlying biology of our visual system.
 
The human retina contains three types of cone cells, each designed to detect specific light wavelengths. These cones are known as short (S), medium (M), and long (L) wavelength cones, which are most sensitive to blue, green, and red light, respectively.
 
All three types of cones work together to help us see a wide spectrum of millions of colours. However, the medium-wavelength cones, which are sensitive to green, are the most abundant and the most responsive. This increased sensitivity lets us distinguish a broad range of green shades with remarkable precision.
 
The biological emphasis on green detection is not coincidental. It’s an evolutionary trait. Our primate ancestors depended on their vision for survival in dense, green environments. Being able to detect the subtle differences between green hues helped them find edible plants, spot hidden predators, move through tricky terrain, and locate water. Those who were better at it had a higher chance of survival and passed this skill on to future generations.
 
As a result, our eyes can detect even the slightest variations in green hues, allowing us to recognise a wider range of green shades more easily and accurately than any other colour in the visible spectrum. This is also why the greens of spring appear so vibrant and diverse to us.
 
Our ability to detect so many shades of green not only affects how we see the natural world but also plays a key role in our psychological and emotional well-being. Since green is the colour most frequently processed by our eyes, it often feels calming and relaxing. Our brains can interpret green with little effort, making it one of the most soothing colours for the human eye.
 
Psychologically, green is often associated with balance, harmony, and renewal. These associations are deeply rooted in our evolutionary past, when seeing green likely signalled safety, abundance, and the presence of life-sustaining resources like water and vegetation. Today, green still brings a sense of calm and comfort and this is why it’s commonly used in certain environments to reduce stress, such as hospitals, schools, and workspaces.
 
Furthermore, spending time around green spaces – especially natural greens found in plants and outdoor areas – can help reduce anxiety, lower blood pressure, and improve concentration. This effect, known as “biophilia”, reflects our natural bond with nature and the calming power of green environments. Even artificial exposure, like viewing forest images or using green in interior design, can create a sense of calm and support mental recovery.
 
In summary, our natural sensitivity to green doesn’t just help us see the world more clearly – it helps us feel better while doing so. Green gives us both visual comfort and emotional calm, helping us feel more at peace and more connected to nature.
Light filtering through the green canopy of a deciduous woodland illuminating the grass covered ground beneath it | Sunart Scotland | Steven Marshall Photography
Sanctuary - Phemie’s Walk, Strontian, Sunart
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Talking Trees

21/3/2025

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The spring equinox was on the 20th of March, marking the start of astronomical spring, when the days become longer than the nights and the temperature starts to rise. With this comes one of the most striking transformations to the landscape around Loch Sunart. It is the return of foliage to the ancient Atlantic oakwoods on the hillsides that run down to the sea. At first, tiny buds emerge on the branches—small and barely noticeable. But with each longer day, they grow more prominent. By mid-April, the buds burst open, revealing delicate, pale green leaves and by the end of April, the once bare and dormant branches have been replaced by a living canopy of verdant beauty. Seen from above, each tree stands out distinctly, as if they’ve agreed to respect each other’s space. But how is this possible? Could the trees be communicating? I’m always left wondering.
A verdant spring green ancient Atlantic Oakwood Canopy at Sàilean nan Cuileag viewed from above | Sunart Scotland | Steven Marshall Photography
Broccoli - Sàilean nan Cuileag, Sunart
​Well, this canopy of distinct trees, which looks like clusters of broccoli florets, is because of a phenomenon called ‘crown shyness’ where the trees are not so much talking to each other, but more sensing each other’s presence.
 
Scientists think this happens because the trees can detect a specific type of light called far-red light. This light tells them when they are getting too close to their neighbours. When they sense this, they stop growing in that direction, which helps them make the best use of sunlight and ensures they don't compete for light.
 
Another possible reason for crown shyness is physical contact between branches during windy conditions. As the wind moves the branches, they rub against each other, causing small injuries or broken tips. Over time, this repeated friction may prevent further growth in those areas, creating the distinctive gaps between tree crowns.
 
Either way, this intriguing phenomenon underscores how trees, despite their stationary nature, exhibit remarkable sensitivity to themselves and their environment. However, it is thought that trees go beyond this and do in fact communicate with each other in a number of ways.
 
In his bestseller, The Secret Life of Trees, German forester Peter Wohlleben reveals how a gigantic underground fungal network, that he calls the “Internet of the Forest”, enables trees to exchange information. Known scientifically as the mycorrhizal network, it allows trees to exchange nutrients, water, and even chemical signals.
 
At its core are mycorrhizal fungi, which form symbiotic relationships with tree roots. The fungi provide trees with essential nutrients like phosphorus and nitrogen, while trees give the fungi sugars produced through photosynthesis. These fungal threads, called hyphae, spread through the soil, linking different plants and creating a vast, interconnected web.
 
He explains how trees use this network to communicate and support each other. For example, large, older trees, called "Mother Trees," send nutrients to younger or weaker trees. They also use it to release warning signals when under attack by pests or diseases, alerting their neighbours to activate their defences with the result that the health of the forest as a whole is maintained.
 
Another form of communication he describes is the mutual assistance they give each other through their root systems. A tree on the brink of death can be kept alive by a healthy neighbour. The latter shares the nutrients it has transformed through photosynthesis with the ailing tree until it is strong enough to feed itself. Similarly, young trees growing in the shade of larger ones often do not get enough light to photosynthesise their nutrients. So, in these cases, the larger, more established trees feed them via the vast, branching fungal network beneath the ground on which they sit.
 
Trees also communicate through the air using something called phytoncides. They are natural chemicals produced by plants, especially trees, to defend against harmful microorganisms and are released into the air around the trees. They are also beneficial to us and when we walk through the woodland, we unknowingly breathe them in, boosting our immune system and overall health. So, the next time you are wandering through trees, remember – they’re constantly talking to each other, supporting one another, and even benefiting us in the process.
Verdant spring green ancient Atlantic Oakwood stretching along the shore of Loch Sunart with Ben Resipole in the distance | Sunart Scotland | Steven Marshall Photography
Spring Woodland - Loch Sunart, Resipole, Sunart
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Snowy Silence

19/1/2025

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This month’s image is of the peak of Ben Resipole and was taken from Camas Torsa, about a mile southwest of Salen, on a cold and crisp January morning. It’s the perfect place to watch the day begin during the winter months because the warm light of the rising sun often bathes the south-facing slopes of the mountain, which dominates this part of Loch Sunart, in warm, golden hues. It can be an experience that brings an intense sense of calm, especially on a still winter morning just after snow has fallen, and the sky has cleared. It can make you feel as if the world is holding its breath under a blanket of silence, rather than a blanket of snow, and leave you wondering whether the silence is real or not.
The first light of a late-November day illuminating the snowy peak of Ben Resipole | Sunart Scotland | Steven Marshall Photography
Snowy Beinn I - Beinn Resipol Summit viewed from Camas Torsa, Salen, Ardnamurchan
​Well, the silence is indeed real, and it’s all down to snow’s remarkable ability to absorb sound, an ability that can be explained by its unique structure.
 
Freshly fallen snow consists of a delicate network of ice crystals interspersed with countless tiny air pockets that play a crucial role in scattering and absorbing sound waves. When sound waves travel across a snowy landscape, they are diffused and dampened by these air pockets, reducing the level of ambient noise and this is why a fresh blanket of snow often creates a sense of tranquillity that feels almost magical.
 
The effect is most pronounced when the snow is fresh and fluffy, because this type of snow has the highest volume of air trapped within its crystalline structure. In contrast, as snow ages or undergoes compression — whether from melting, refreezing, or being trampled underfoot — the intricate network of air pockets diminishes. This compacted snow has much less sound-absorbing capability, allowing sound waves to travel more freely across the landscape and restore some of the usual ambient noise.
 
The large, sound dampening fluffy snowflakes are born of creative processes at play high up in our atmosphere where water vapour condenses around microscopic particles of dust and pollen. These specks serve as the nuclei for ice crystals and when the temperature is between about -3°C and -10°C, these ice crystals grow and branch out into six-sided structures, each one uniquely determined by the temperature and humidity of the atmosphere.
 
As these delicate structures descend through the atmosphere, they encounter varying temperatures and air currents and when the humidity is high, water vapour continues to deposit on them, causing them to grow larger and more elaborate as they fall. When it is calm and there is little or no wind, the resulting snowflakes remain intact during their descent, allowing them to maintain their large, delicate shapes and fall gently to the ground without much compression.
 
When the ground is cold, it prevents the snowflakes from melting or sticking together upon landing, preserving their structure, enhancing their light and fluffy nature to create a soft white blanket that is extremely effective at silencing the landscape.
 
Without the hum of occasional distant traffic, the chatter of birds, the rustling of leaves, or the rippling of water, it’s perhaps no surprise that a profound sense of peace often envelops me when I venture out after a fresh fall of snow, once this blanket of silence has formed.
 
The stillness feels tangible and otherworldly and one that is intensified by the simplicity of the scene before me. In the woodlands, the snow has smoothed out imperfections and softened harsh lines. The ancient oaks are draped in delicate white, with their branches outlined like intricate etchings against the hillsides, seemingly standing clear of the chaos that normally surrounds them.
 
As I wander through these familiar surroundings, ones that have been reshaped by the snow’s transformative power, with the crunch of snow under my feet being the only sound to break the stillness, the complexities of modern life seem to disappear and the only thing I hear is nature’s invitation to slow down, breathe in the crisp air and find peace in the change that winter brings.
Snow covered woodland and trees on the hillside at Salen | Ardnamurchan Scotland | Steven Marshall Photography
Morning light illuminating a fresh fall of snow that adorns the tress on the hillsides beside Salen, Ardnamurchan
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Time Flies By

20/11/2024

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As I write this, the first snow has fallen on the hills, heralding the impending arrival of winter and warning me that the end of another year is fast approaching. It seems like only yesterday when this year began, leaving me wondering where the months have gone. To me, it seems that each passing year is shorter than the last, almost as if time itself is accelerating. Milestones that once felt distant now seem to rush towards me and this swift march of time serves as a reminder that we each have a finite number of journeys around the Sun. As daunting as this may be, one question sticks in my head. How real is this feeling that time seems to pass quicker and quicker each year
The first snow of winter on the summit of Ben Nevis, viewed across the surface of Lochan Doire a' Bhraghaid | Ardgour Scotland | Steven Marshall Photography
First Snow on the Ben I - Ben Nevis viewed from Lochan Doire a' Bhraghaid, Inversanda, Ardgour
​Well, it seems that the perception that time speeds up as we age is a common experience, and it stems from a combination of psychological, biological, and cognitive factors. Put simply, while time itself remains constant, our interpretation of it changes over the course of our lives due to shifts in how our brains process and recall experiences.
 
One of the most widely accepted explanations for this is what’s called proportional theory. For example, to a 10-year-old, one year is 10% of their life, which feels substantial. To a 50-year-old, however, one year is only 2% of their life, making it feel much shorter in comparison. This proportional difference influences our perception of time, making it feel as though each successive year is progressively faster.
 
Another explanation involves how our brains perceive time based on the number of memorable or novel events we experience. In childhood and early adulthood, life is filled with “firsts” — first school, first job, first love, or first big trip. These novel experiences are more likely to be stored in our long-term memory, and because we recall more details from these periods, they feel longer in retrospect.
 
Daily routines and predictable patterns also play a significant role in the sensation of accelerated time because adults often settle into rhythms that involve work, family, and social obligations, which can become repetitive. This regularity contrasts with the dynamic and exploratory nature of youth, which feels slower due to constant change and learning. When days blur together due to monotony, months and years can seem to vanish quickly.
 
There are also neurological factors because, as we age, there are changes in brain activity related to time perception. Studies suggest that our internal clock, which is influenced by neural processing, may slow down as we grow older. This means that fewer mental markers are laid down over a given period, leading to the sensation that time is speeding up. Additionally, the production of dopamine, a neurotransmitter associated with time perception, decreases with age and so potentially alters how we experience the passage of time.
 
Also, as adults, we tend to focus more on future planning or present responsibilities, which leaves less room for moment-to-moment awareness. The more we operate on autopilot, the faster time seems to pass, a contrast to the detailed attention children pay to their surroundings.
 
Finally, as we grow older, the awareness of our mortality becomes more pronounced, often influenced by life experiences such as the loss of loved ones, health challenges, or reaching significant life milestones. This growing consciousness that the time ahead is finite may lead to a heightened focus on how quickly the years pass, amplifying the sensation of time’s acceleration. This awareness can also create a sense of urgency to accomplish goals or cherish meaningful moments, which paradoxically makes time feel even shorter because we are actively measuring its passage.
 
However, if you are feeling that time is passing far too quickly, you can slow it down by introducing more novelty and variety into your daily life. Engaging in new activities, traveling to unfamiliar places, or learning new skills creates vivid memories, making time feel richer and longer. Practicing mindfulness can also help by anchoring your attention to the present moment, reducing the tendency for days to blur together. Additionally, reflecting on your days through journaling or photography enhances memory recall, creating a more detailed sense of time and stretching its perceived passage. I wonder. Will time slow down if I get out with the camera more often?
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A Year of Recovery

15/1/2023

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I would never have thought that a seemingly innocuous slip on a wet rock at Ardtoe would have resulted in a debilitating injury requiring surgery, 4 months of immobilisation, 12 months of physiotherapy and a further 6-12 months of recovery time to get me back to a point where I can freely walk in and photograph the landscape here on the Peninsula. However, this was indeed the case, and I am thankful that I had my photography to use as the motivator to get active and aid my recovery. It also resulted in the creation of a collection of 72 images that portray the varying landscape and moods of the Peninsula throughout 2022. This blog contains 12 of these images, one for each month of the year, and I hope to share the remainder of them over the course of 2023.

The Backstory

On 6th July 2021, I slipped on some wet rocks at Ardtoe, dislocating my knee and tearing my patellar tendon in two. Following an operation to repair the damage, I found myself immobilised and in a knee brace until early November and unable to get out and do any photography.
 
While laid up in the brace, I set myself the target of getting back out with the camera by the start of 2022 and the objective of taking 5 or 6 images each month that captured the varying landscape and moods of the Peninsula throughout the year.
 
With limited mobility, especially at the start of the year, I had to think carefully about locations I could safely go that would provide me with opportunities to take the photographs that I had in mind. This was a bit of a challenge at first, but I found that this limitation helped me with my creativity.
 
By the end of the year, I had visited enough locations and taken enough photographs to enable me to create a collection of 72 images, or six for each month to reasonably portray the Peninsula over the course of 2022. Twelve of these images, one for each month, are presented in this blog and I plan to share the rest of them over the course of the coming year in a new section on this website titled “A Year on the Peninsula”.
 
As well as the collection of images, the project provided me with the motivation to get “out there” and get back into my photography and aid my recovery. When pulling these images together, I was certainly reminded of how far I have come since that day in January when I gingerly made my way down the jetty at Salen with the help of a crutch to take the first photograph in this collection. I still have a number of months left in my 18-24 month long recovery period and hopefully, as my ability to walk on uneven ground and also downhill improves, I’ll be able to range further afield and photograph locations that I have not been able to get to since that fateful day in July 2021.

The Images

Anticipation I - Loch Sunart, Salen Jetty, Ardnamurchan
I started the year with some early morning visits to the old jetty in Salen because in January, the sun rises well round to the south-east and is able to cast beautiful light and colours onto the waters of the bay and the jetty itself. On my final morning, the sun seemed to take an age to appear from behind the hills of Morvern, but it was well worth the wait.
The Salen Jetty at sunrise on a calm January morning with a red and yellow colours on Loch Sunart | Ardnamurchan Scotland | Steven Marshall Photography
January
Ardnamurchan Lighthouse viewed from Port na Carraidh (Bay MacNeil) at sunset | Ardnamurchan Scotland | Steven Marshall Photography
February
Distant Lighthouse I - Port na Carraidh, Ardnamurchan
Mid-February brought Storm Eunice along with its record-breaking winds and widespread disruption. The day after the Storm had passed, I headed out to Port na Carraidh at the western end of the Peninsula with the aim of photographing a distant view of the Lighthouse and after much searching I settled on this composition that used the stream on the sandy beach to lead the eye out to it.
Tioram and the Zodiac - Castle Tioram, Dorlin, Moidart​
In March, the Zodiac rises steeply from the horizon at dusk, making it a great time for spotting Zodiacal Light. Caused by light from the sun reflecting off a fog of tiny interplanetary dust particles that fill our inner Solar System, it shows as a faint triangular glow rising steeply from the western horizon just like in this image I took at Castle Tioram.
Zodiacal light in the night sky above Castle Tioram | Moidart Scotland | Steven Marshall Photography
March
Light on Risga - Loch Sunart, Glenborrodale, Ardnamurchan
April
Light on Risga - Loch Sunart, Glenborrodale, Ardnamurchan
This shot was taken on an April morning when I was driving back home from an overnight photo session out west. As I approached Glenborrodale, the first light of the day was falling on the island of Risga, the skerries around it and Carna behind it. A sight that was simply too beautiful to not stop and photograph.
Caisteal nan Con I - Bagh Caisteal, Killundine, Morvern
Caisteal nan Con (Castle of Dogs), overlooks the Sound of Mull on the eastern coast of Morvern. I have passed it a few times on trips out to Drimnin and it has always caught my eye, so I decided to stop when passing it late on an evening in May and photograph just as cloud was rolling in from the west and catching the pinks from a setting sun.
Caisteal nan Con at Killundine on the edge of the Sound of Mull | Morvern Scotland | Steven Marshall Photography
May
The sun setting beyond Ardnamurchan Lighthouse on a midsummer day | Ardnamurchan Scotland | Steven Marshall Photography
June
Day's End, Land's End - Ardnamurchan Lighthouse, Ardnamurchan​
Three days after the longest day of the year, in late June, I was out at the lighthouse for its 25th anniversary of community ownership. The day had started with wind and rain but the afternoon cleared and I decided to capture the day’s end a good few hours after the anniversary celebrations ended. The sun set in the northwest shortly after 10:00 pm.
Sundown Blues II - Sailean Dubh, Ardtoe, Ardnamurchan​
A “must do” thing to do in July is to watch the sun set directly behind the Small Isles of Eigg and Rùm from the headland on the western side of the beach at Ardtoe. I had spent a very peaceful time doing just that in the couple of hours before I took this image of the blues of the emerging blue hour mixing with the golds of sunset.
The silhouette of the Isle of Eigg viewed from Ardtoe during the blue hour | Ardnamurchan Scotland | Steven Marshall Photography
July
The Milky Way in the night sky above the House Pool at Blain on the River Shiel, near the Old Shiel Bridge | Moidart Scotland | Steven Marshall Photography
August
Return of the Stars - The House Pool, River Shiel, Blain, Moidart
In August, the lengthening nights mean the return of stars and up until early October, you can marvel at the sight of the Milky Way filling the sky with a cloudy band of stars. This image shows it soaring above the House Pool on the River Shiel on a night in late August when I must have seen around a dozen shooting stars from the Perseid meteor shower.
Harvest Moon Reflections - Ardtoe Pier, Kentra Bay, Ardnamurchan​
In September, the full Moon rises in the southeast and if you watch it from Ardtoe Pier at the western end of Kentra Bay, it will appear above a distant Ben Resipole and cast reflections onto the water in the bay as it does so. In 2022, it was the nearest full Moon to the autumnal equinox, earning it the title of 'Harvest Moon'.
A full harvest moon rising above Kentra Bay | Ardnamurchan Scotland | Steven Marshall Photography
September
Lilac skies above Loch a’ Choire, Kingairloch Estate at dawn | Ardgour Scotland | Steven Marshall Photography
October
Lilac Dawn - Loch a' Choire, Kingairloch, Ardgour
Loch a’ Choire is at the heart of Kingairloch Estate and in October the Sun rises in line with its east facing entrance and can create some beautifully vibrant sunrises there. I had hoped to capture one of these sunrises on the morning I was there, but haze and cloud on the horizon subdued it and instead created some lovely lilac hues on the loch’s surface and in the sky above it.
Two Bridges - River Shiel, Blain, Moidart
The 2.5-mile-long River Shiel flows from Loch Shiel to the sea and forms part of the boundary between Moidart and Ardnamurchan. It can be crossed by either of the two bridges shown in this image which was taken on a November afternoon when the light bathed the autumn-coloured trees on the Moidart side it. Ben Resipole can be seen in the distance.
The River Shiel near Acharacle flowing from Loch Shiel on an autumn afternoon | Moidart Scotland | Steven Marshall Photography
November
The entrance to Kentra Bay after sunset during the dusk of the blue hour | Ardnamurchan Scotland | Steven Marshall Photography
December
A Year Ends - Kentra Bay, Gobshealach, Ardnamurchan
Early December brought clear blue skies and sub-zero temperatures which were followed by two weeks of milder weather, wind and heavy rain. Fortunately, this broke for a little while on New Year’s Eve to allow me to capture dusk falling on the mouth of Kentra Bay as the end of the year approached. The Small Isles of Muck, Eigg and Rùm are in the orange glow on the horizon.
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Blue Seas, Blue Mindfulness

15/7/2022

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Despite living on the Peninsula for several years now, it still often feels like it is a world away from the rest of the country and it is little wonder that summer brings a steady stream of visitors seeking to experience this beautiful, remote, and unspoilt corner of the Scottish Highlands. I often say to visitors that it has a bit of everything that Scotland has to offer, with rugged mountains, beautiful lochs and ancient woodlands, but it is its dramatic and stunning coastline that holds the biggest draw for me and features most in my photography
Sanna on a summer day with blue skies blue seas | Ardnamurchan Scotland | Steven Marshall Photography
Summer at Sanna II - Sanna, Ardnamurchan
Sanna on a glorious summer day, viewed from the hills to the South and with the Small Isles on the Northern Horizon
Take this month’s image, which was shot on a beautifully sunny day in July out at Sanna, looking north across the bay to the Small Isles beyond. On days such as this, with bright sunlight overhead, the sea takes on an intense range of blue hues ranging from light blues of the shallow water to the dark blues of the deeper water, all caused by the way light interacts with the seawater.
 
You see, daylight is made up of many different visible colours, ranging from reds and oranges to blues and violets, with the reds and oranges having the longest wavelengths and the blues and violets having the shortest. As water molecules are better at absorbing light with longer wavelengths, they absorb much of the red, orange, yellow and green light. The bluer colours, with shorter wavelengths, are less likely to be absorbed and so are reflected by the white sand on the seabed to give the sea its blue hues.
 
In shallow water, there are fewer water molecules to absorb the red, orange, yellow and green light, so more of it reaches the seabed to be reflected with the blues and violets and give either clear or slightly blue water. However, the deeper the water becomes, the more the reds, oranges, yellows and greens are absorbed and the deeper blue the colour of the water becomes, until you reach the point where no visible light can reach the seabed and the water becomes completely dark.
 
I find something quite captivating about the aquatic blue hues of the sea at places such as Sanna and I’m sure that this is reflected in my affinity for water and for photographing the sea and the coastline. In fact, it has been documented that our affinity for water is reflected in our near-universal attraction to the colour blue and that we associate this colour with qualities like calm, openness, depth and wisdom.

The link between the two has even been developed into something called “Blue Mind Science”, the study of aquatic environments’ health benefits that was first popularised by marine biologist Dr Wallace Nichols in his 2014 book, “Blue Mind”. Simply put, Blue Mind is a mildly meditative state that people fall into when they are near, in, under or on water and some of the physical and mental health benefits include:
​
  • Triggering involuntary attention, which is essential to problem-solving and creativity.
  • Increasing the levels of neurotransmitters such as dopamine, sometimes called the feel-good hormone; serotonin, also known as the happiness hormone; and oxytocin, described as the cuddle hormone; as well as decreasing cortisol, described as the stress hormone.
  • Acting as a source of awe that expands a person’s compassion.
  • The colour, sound and feel of water lowering the pulse rate and increasing feelings of calmness.

​So, if you’re seeing red, feeling angry, anxious, and stressed, then head to the coast for some “Blue Mindfulness”. I can highly recommend it.
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The Magic of a Sunrise

18/4/2022

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There’s something magical about watching the beginning of a new day, especially on mornings as perfect as the one when I took the photograph below from the hills above Acharacle while looking north-east over Loch Shiel to Ben Resipole and the distant peaks of Ardgour beyond. Although it is only a short climb, the view you get from up there is simply amazing and this makes it one of my most favourite places to do one of my most favourite things, which is to watch a sunrise.
Picture
Good Morning Acharacle III: Loch Shiel, Acharacle, Ardnamurchan
I’m a morning person and naturally wake up early, but I do realise that not everyone is like this. Therefore, I thought that I’d give some reasons why I think it is good to at least once, get up early with the birds, head to a favourite place and watch a new day begin:
  • Be in the moment: In my blog in February, I wrote about how photography was an act of mindfulness that allows you to focus not on your outside concerns, but solely on the moment and the task at hand and the mental wellbeing that this brings. I find that watching the light and colours appear at sunrise gives me a similar experience because it encourages me to stop and realise that, as a new day begins, it is presenting me with an opportunity to enjoy everything it has to offer. 
  • Improve your mood:  When you watch a sunrise, it will most likely put you in a better mood for the rest of the day. In fact, it has been proven that it relieves stress and has many physical benefits, so the next time you’re having a tough time, go to your favourite spot and watch the sun come up while your worries wash away.
  • Your sleep and health: Getting out in the natural light of the morning is beneficial for our sleep because exposure to light early in the day, as well as physical activity, helps to set our internal body clock and so protect us from certain diseases.
  • Protection from sunburn: The time of day has a significant impact on the amount and kind of light we enjoy, and early morning exposes us to a type of sunlight that we do not get during the rest of the day. It is low in the ultraviolet rays that cause sunburn and high in the infrared rays that enhance and strengthen the skin, doing this in a way that protects it from sunburn.
  • Seeing colours that you never knew could exist in nature: When people see one of my sunrise photos they often ask, was it really that colourful. Well, yes, because the colours that the sun creates as it rises from below the horizon can be truly amazing and unlike any you might see at a different time of the day.
  • Every sunrise is different:  The American author Jonathan P Lamas said that “Just like the days, no two sunrises are ever the same.” This is completely true because during each sunrise the light and colours evolve a little bit differently, making each one unique and well worth getting out of bed for.
  • Better for photography: While photographing at sunset can yield stunning landscape photographs, I think that photographing at sunrise is much better because there tends to be fewer people about and there is less haze in the atmosphere. This means that you can pick your compositions without worrying about having to avoid people in them and you will have clear pictures as the air is visibly clearer.​
  • It’s absolutely free: Last but certainly not least, is that it doesn’t cost a penny. Mother nature puts on these wonderful and colourful shows for free, so why don’t you set that alarm, get up early, take some coffee and get out there to enjoy the show?
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My Mind Medicine

13/2/2022

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It’s mid-February and the end of this last month of winter is fast approaching. The evenings are getting lighter and my thoughts are turning to Spring and the sense of renewal, hope and happiness that it brings. The image below was taken out at Smirisary, an old crofting village about two miles to the west of Glenuig, on a Spring evening and shows a tree adorned with the fresh green growth that encapsulates these “Spring” feelings for me. It was a beautiful evening and I felt a true sense of calm contentment as I sat there listening to the call of a nearby cuckoo while waiting for the right moment to press the shutter button. I was left thinking that it is little wonder that the benefits of photography on mental wellbeing have been well studied and documented.
Smirisary croft house and lone tree near Glenuig | Moidart, Scotland | Steven Marshall Photography
Spring Shieling - Smirisary, Glenuig, Moidart
​I spent much of my childhood outdoors exploring the rolling Scottish Borders countryside and have many fond memories of the adventures that this entailed. Back then, I’m sure I never gave much thought to the benefits of time outdoors and it wasn’t until I moved to Glasgow for work that I started to appreciate how differently I felt when I was in the countryside. Day trips for a walk in the hills became a welcome relief from both the pace of city centre living and the pressures of my work. A camera always accompanied me and, as the years passed, photography became a bigger and bigger part of the experience, acting as my “mind medicine”, encouraging me to slow down, look carefully and really appreciate my surroundings.
 
Studies by researchers at Lancaster University into the effects of photography on mental wellbeing back this up.  They found that the act of finding a subject, trying different compositions and changing positions to alter the light requires such focus that it can be a meditative task, or an act of mindfulness that allows you to focus not on your outside concerns, but solely on the moment and the task at hand. I find this with landscape photography because it requires a great deal of patience to sit on a hillside, having framed a composition and wait for the right light and the perfect moment to press the shutter button. During this time, nothing else is on my mind and I feel completely detached from any stresses and pressures that life might hold.
 
Photography can also provide an artistic outlet, which many people may not have through any other means, and other studies have found that immersing yourself in a creative activity elevates mood while lowering both anxiety and stress hormone levels. Additionally, there are the general physical benefits of going for a walk with a camera, with the desire to capture images translating into the motivation to get outdoors at times when you would otherwise remain at home.
 
Finally, please do not think that landscape photography is limited to people with lots of expensive equipment. You will probably have a perfectly capable camera in your pocket because the quality of smartphone cameras nowadays allows almost anyone to capture some good images. So why don’t you get out into the beautiful landscape that surrounds us here on the Peninsula and try it out. With the sun still low enough in the sky to give us some lovely light, it is the perfect time of year to start. Get out there, take some pictures and feel all the better for it.
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    Author

    Hi,

    ​I’m Steven Marshall, a Scottish landscape photographer based at Rockpool House in the heart of the beautiful West Highland Peninsulas of Sunart, Morvern, Moidart, Ardgour and Ardnamurchan.

    My studio on the shore of Loch Sunart at Resipole showcases a selection of my work and I have prints, calendars, jigsaws, cards, postcards, mugs, coasters, and other items for sale.

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