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Frames of Mind

Thoughts inspired by images of the Peninsulas​
Ardgour | Ardnamurchan | Moidart | Morvern | Sunart

Belt of Venus

16/2/2025

4 Comments

 
We’ve had some clear, cold and crisp mornings over the last few weeks, and you may have noticed the western horizon becoming awash with a band of pale pinks and blues in the twilight just before sunrise, creating a scene reminiscent of a watercolour painting. If you have, then it’s more than likely you have spotted the Belt of Venus, a subtle atmospheric phenomenon that creates a mesmerising gradient of colours in the sky at both sunrise and sunset. However, don’t be fooled by the name. It has nothing to do with the planet Venus but is instead associated with the girdle or belt worn by the Greek goddess Aphrodite, the Roman counterpart of Venus and the goddess of love and beauty.
The sunrise pink belt of Venus on the western horizon above Loch Sunart at Resipole | Sunart Scotland | Steven Marshall Photography
Belt of Venus - Loch Sunart, Resipole, Sunart
The Belt of Venus is what is known as the anti-twilight arch, a phenomenon that appears as a distinct pinkish or rosy band of light just above the horizon opposite the setting or rising sun. It is visible during both dawn and dusk, adding a sense of wonder and beauty to the transitions between night and day. So much so that it is named after the magical girdle of Aphrodite, a legendary artifact imbued with extraordinary powers.
 
This girdle, also known as the Cestus, was said to have been woven from the finest threads of gold and adorned with intricate patterns that shimmered like the dawn. Its enchantment was unparalleled because it held the divine ability to inspire love and desire in anyone who beheld its beauty and Aphrodite, the Greek goddess of love and beauty, wielded it to captivate gods and mortals alike, bending their wills to her favour.
 
Its power was not merely physical; it is said to have emanated an aura of irresistible charm that could soothe the fiercest hearts and ignite the deepest passions. It symbolised the quintessence of feminine allure and the profound impact of love, and it gave Aphrodite dominion over the most potent of human emotions, rendering her the ultimate arbiter of harmony and discord in relationships. Therefore, it is little wonder that the captivating band of pink and rose hues that emerges out of the darkness during twilight, instilling a sense of timeless beauty, has been associated with the Cestus and named the Belt of Venus.
 
The Belt’s colours are formed by the scattering of sunlight through the Earth's atmosphere during twilight, when the sun is just below the horizon. It is then that the sun’s rays must travel through a greater thickness of the Earth's atmosphere compared to when it is higher in the sky. This increased path length causes shorter wavelengths of light, such as blue and violet, to scatter more than the longer wavelengths of red and pink. The result is that the remaining light which reaches our eyes is predominantly composed of the pinkish hues that we see just above the horizon.
 
The Earth's shadow can play a significant role in enhancing this phenomenon. The shadow is caused by the Earth obstructing the direct path of sunlight, to create a dark blue band low down on the horizon and opposite the sun. This dark blue shadow contrasts sharply with the pinkish and rose colours of the Belt of Venus above it, thus making the phenomenon even more striking. This is particularly so when it is observed over clear horizons, such as the ocean or open landscapes, where the full expanse of the sky is unobstructed.
 
So, if you find yourself at the coast during sunrise or sunset, and you have a clear view of the horizon, take a moment to marvel at the Belt of Venus as it emerges above the Earth’s shadow to paint the sky with a band of breathtaking pinks and blues. Take a moment to reflect on how ancient myths connect us to the celestial rhythms that govern our world. And take a moment to pause and appreciate the fleeting moments of beauty that nature offers.
4 Comments

Catching the Blues

15/3/2024

6 Comments

 
I been looking through my library of images in recent weeks, looking for common themes that might form the basis of a couple of projects for the next 12 months or so and noticed that there were a few photographs that were taken during what is called the “Blue Hour”, an incredibly photogenic time of the day when the landscape is infused with rich, blue tones. One of these images is below and it shows Ardnamurchan Lighthouse on its rocky promontory with the sea, the land and the sky all tinged with these rich, blue tones. So what exactly is the blue hour?
Ardnamurchan Lighthouse at dusk against a background of blues and pinks | Ardnamurchan Scotland | Steven Marshall Photography
Last Light, First Light - Looking across Briaghlann to Ardnamurchan Lighthouse, Ardnamurchan
The blue hour occurs twice a day, just before sunrise and just after sunset, so you might be thinking that it is simply the time of day known as twilight, but there is a little more to it than that. This first thing to know is that there are three phases of twilight: civil twilight, when the Sun is between 0° and -6° below the horizon; nautical twilight, when it is between -6° and -12° below; and astronomical twilight, when it is between -12° and -18°below.
​
During civil twilight, there is still colour in the sky, and it is light enough to see objects clearly; the sky is darker during nautical twilight and by astronomical twilight it's almost completely dark. The evening blue hour is the period of transition from civil to nautical twilight (or vice versa in the morning), when the Sun is between -4° and -8° below the horizon.

At this time, the longer red wavelengths of light from the Sun pass straight out into space and the shorter, blue wavelengths are scattered in the atmosphere. The result is a rich and saturated cool blue colour that is incredibly atmospheric, so if romance and mystery are your thing, this really is a great time head out with your camera.

Before you do though, you should know that despite its name, the blue hour only lasts for 20-40 minutes depending on your location, the time of year and atmospheric conditions. At this time of year here on the Peninsula, it begins at about 20 minutes after sunset and at 45 minutes before sunrise. In either case it lasts for around 20 minutes, so the opportunity for photography is fleeting, but nonetheless very rewarding.
The silhouette of the Isle of Eigg viewed from Ardtoe during the blue hour | Ardnamurchan Scotland | Steven Marshall Photography
Sundown Blues I - Sailean Dubh, Ardtoe, Ardnamurchan
​Beyond its aesthetic appeal, I find the blue hour to be an incredibly tranquil and thought-provoking time of day, and this is especially true of the evening blue hour. I’m not sure what it is, but this “in-between time” during which day transitions into night, I feel compelled to pause and appreciate the beauty of that exact moment. This is especially true if I’m out in the landscape alone with my camera because moments of such solitude bring a real sense of peace and stillness that allow me to disconnect from any stresses or challenges that I may have experienced during the day.
 
As the blue hour comes to an end, the sky transforms from the canvas of rich blues that I was photographing to a deepening shade of indigo. With this comes the gradual unveiling of the stars, with each one sparkling ever brighter as the sky darkens. As more and more stars become visible, I am often struck by the vastness of the cosmos and with this comes strong feelings of awe and humility due to Earth’s true insignificance.
 
The sheer scale of the Universe, with its billions of galaxies each containing billions of stars, puts into perspective the minuscule size and fleeting existence of our home planet. It is a mere speck of dust in the cosmic ocean and seems so inconsequential in comparison to the unimaginable expanses of space stretching out in all directions. It is in these moments that I am reminded of the transient nature of human existence. Yet, amidst this feeling of smallness, there is also a sense of wonder and curiosity. The very fact that we can contemplate our place in the Universe, that we can marvel at the stars and ponder the mysteries of existence, is a testament to the extraordinary capabilities of the human mind. It is in moments like this that I just love catching the blues.
The Small Isles of Muck and Rum beneath a blue and orange sunset sky | Ardnamurchan Scotland | Steven Marshall Photography
Cobalt and Amber – The Small Isles viewed from Fascadale, Ardnamurchan
6 Comments

Sunset Season

14/11/2021

2 Comments

 
As we move away from the Autumn Equinox and towards the Winter Solstice it seems to me that, along with the days getting shorter and colder, the evening skies are getting brighter and bolder. We often get brooding skies, with the oranges, pinks and reds from the setting sun breaking up the greys, blues and purples of clearing storm clouds to produce dramatic scenes such as one I witnessed at Castle Tioram on a late-November afternoon and shown the image below. This makes me beg the question: Are late autumn and winter sunsets better than those we get at other times of the year? Well, it turns out that scientific studies have confirmed this to be the case and they have discovered the reasons why
Castle Tioram under a brooding sunset sky | Dorlin, Moidart, Scotland | Steven Marshall Photography
Image 1: Brooding: Castle Tioram, Loch Moidart, Doirlinn, Moidart
​Scientific researchers have found that the peak sunset season is from November through to February and that this is down to a combination three things. These are the type and quantity of the cloud cover, cooler air temperatures and how the Earth is tilted towards the sun at this time of the year.
 
Contrary to what you might think, we need clouds for a good sunset and they have to be the right kind of clouds. If they are too low down on the horizon, they will block out the Sun’s rays and prevent a sunset. Instead, we need mid to high level clouds that will refract the sunlight and give us those beautiful sunset colours. This happens more in autumn and winter because the weather patterns we get then tend to bring mid and high-level altocumulus, altostratus and cirrus clouds.
SEO: Loch Sunart autumn sunset | Resipole, Sunart, Scotland | Steven Marshall Photography
Image 2: Lilac & Gold - Morvern from Loch Sunart Shore, Rockpool House, Resipole, Sunart
​The cooler temperatures mean that the air is less humid and that there is less water vapour to capture dust particles that are in the air and create the haze which is often a feature of the summer months. When present, this haze scatters sunlight and reduces its intensity. So, in autumn and winter, the lower humidity means that the air is clearer and we see the colours produced by the setting sun in all their intensity.
 
Finally, as we approach the winter solstice, the North Pole gets tilted further away from the sun, lengthening the time taken for the sun to set. This, in turn, means that the sunset colours last longer than at the equinoxes, for example, when the sun sinks very quickly towards the horizon at a 90-degree angle. The result is that we have more time to enjoy the sunset colours and the sunset colours have more time to make an impact on us.
SEO: Loch Linnhe winter sunset | Sallachan, Ardgour, Scotland | Steven Marshall Photography
Image 3: Winter on Linnhe - Loch Linnhe from Camas Shallachain, Sallachan, Ardgour
​Despite all of these variables, predicting sunsets doesn’t have to be hard. All you need to do is keep an eye out for the following key indicators:
 
Mid to high-level clouds (2km and above)
Cloud coverage - 30 to 70 percent
Humidity - low but not too low
Clean air
Prior rainfall - no less than 2 to 6 hours before
Wind speed - low or non-existent
 
There are many online forecasts for these weather conditions and the one I refer to most is windy.com. So why don’t you have a go at predicting a sunset and head west at what you think might be a good time. You never know, you may be well rewarded for your efforts!
The sun setting over Gleann Dubh | Morvern, Scotland | Steven Marshall Photography
Image 4: Distant Light IV - Achagavel, Gleann Dubh, Morvern
2 Comments

    Author

    Hi,

    ​I’m Steven Marshall, a Scottish landscape photographer based at Rockpool House in the heart of the beautiful West Highland Peninsulas of Sunart, Morvern, Moidart, Ardgour and Ardnamurchan.

    My studio on the shore of Loch Sunart at Resipole showcases a selection of my work and I have prints, calendars, jigsaws, cards, postcards, mugs, coasters, and other items for sale.

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Steven Marshall Photography,  Rockpool House,  Resipole,  Strontian,  Acharacle,  PH36 4HX
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  • Reduced to Clear
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