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Photographing the West Highland Peninsulas​
Ardgour | Ardnamurchan | Moidart | Morvern | Sunart

Night Photography – It’s Easier Than You Think

15/1/2022

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When I moved away from the bright city lights of Glasgow to the unspoilt West Highland Peninsulas, one of the first things that struck me most was just how dark and clear the night sky was. I found that I could simply step out of the door of my house by the side of Loch Sunart and find myself looking up at the Milky Way and well over 7000 stars scattered across the sky above me. As my time on the Peninsula has passed, my interest in night photography has become a passion that produces some of my most popular images and I often get asked by visitors to my Studio about just how difficult night photography is. Well, the simple answer is that “It’s easier than you think” so, in this blog, I thought I’d explain why I think that this is the case.
Ardnamurchan Lighthouse beneath the Milky Way | Ardnamurchan Point, Scotland | Steven Marshall Photography
Image 1: Safe Night Passage - Ardnamurchan Lighthouse, Ardnamurchan Point, Ardnamurchan
​The reality is that you don’t need to buy lots of expensive equipment to capture your first images of the night sky. Any modern DSLR or mirrorless camera fitted with a wide-angle lens and mounted on a tripod will allow you to capture some lovely images of the night sky. So, if you have a full-frame sensor camera and a wide-angle lens with a focal length of about 30mm or less, you will be able to make a start at photographing the stars. Alternatively, if you have a 1.5x cropped sensor camera, a lens with a focal length of about 20mm or less will work fine. Ideally, these lenses should be able to open up to a wide aperture of f2.8 but if yours don’t, just give them a try at their widest setting and see how you get on. If you’re not happy with the results, you can always rent a lens for a little while to see if it is something you’re keen to get into, before deciding to buy a lens specifically for your night photography.
A STEVE (Strong Thermal Emission Velocity Enhancement), or Sub-auroral Arc in the night sky above Loch Arienas | Ardtornish Estate, Morvern, Scotland | Steven Marshall Photography
Image 2: Meet Steve - Camas Allt a’ Choire, Loch Arienas, Morvern
The actual process of setting up your camera is not too difficult and in many ways, I think that it is far easier than setting it for daytime photography as there is basically only one setting to use. All you have to do is start no later than 45 minutes or so after sunset, while it is still getting dark, put your camera in manual mode, set it to capture RAW image files and then do the following:
  • Pick the rough composition you want while it is still light enough for you to see and then, with your wide-angle lens set to a focal length of no more than 20-300mm, look through the viewfinder while hand-holding the camera and frame up a more precise composition.
  • Once you have identified this composition, mount your camera on its tripod, and set it up so that it is framed up on the precise composition wish to photograph.
The Milky Way in the night sky above a solitary phone box at Kentra Bay| Gobshealach, Ardnamurchan, Scotland | Steven Marshall Photography
Image 3: Earth Calling - Kentra Bay, Gobshealach, Ardnamurchan
  • You now need to work out the maximum shutter speed you can have without beginning to get star trails, i.e., the stretched out stars caused by the rotation of the Earth. For a camera with a full frame sensor, a rough rule of thumb is to divide 600 by the focal length of your lens. So, if when framing your composition, you used a focal length of 20mm, the maximum shutter speed you would want to use is 600 divided by 20, i.e., 30 seconds. For a 1.5x cropped sensor, you would use 400 divided by 20, i.e., 20 seconds.
  • Next, with your exposure set to 20 or 30 seconds, set the aperture to no more that f/4 and your ISO to about 2000 or so. If the resulting exposure level is too high, reduce your ISO and if it is too low, increase your ISO anywhere up to a maximum of 5000 or so. Certainly try not to go above ISO 6400 as anything higher than this is likely to result in a lot of noise or graining in your resulting photographs.
  • Next comes the most difficult part, which is getting everything in focus. This is because your camera’s autofocus will not work in conditions with little or no light. If you think that there is enough light for your autofocus to work, use it to focus on something way out on the horizon, i.e. at infinity and then switch it to manual focus while holding the shutter button half down to lock the focus in place. If there isn’t enough light, switch to manual focus mode straight away and manually focus on something on the horizon. If you find that you are setting up too late and in the dark, see if there are some bright lights on the horizon and use them to focus your camera to infinity. You can also use the moon, a planet or a bright star as something on which you can lock your focus.
  • Once you have your camera focussed for the focal length and aperture you have set, it is a good idea to use a couple of strips of insulating tape to tape down and hold the aperture and focus rings in place. You’d be surprised how easy it is to knock them out of position and therefore put your camera out of focus.
A star trail in the night sky over Loch Shiel at the Acharacle Jetty | Acharacle, Moidart, Ardnamurchan, Scotland | Steven Marshall Photography
Image 4: Night Time Passing - Loch Shiel, Acharacle, Ardnamurchan
You are now all set up but please be patient and wait for it to get sufficiently dark for the stars to show in your photo. This will usually be about 1½ hours after sunset. Once you think it is dark enough, select your camera’s 2 second timer and use it to avoid you pressing the shutter button during the camera exposure and causing any movement that might blur the image. Simply press the shutter button with the two second timer switched on, wait for the exposure to complete and then check the photo you have just taken. If you find it is under or over exposed, adjust your ISO accordingly, but avoid an ISO that is so high that it makes your photo’s noisy and grainy.

​When you have got a shot you are happy with, feel free to change the tripod location and camera position to capture a different composition, but avoid changing your aperture of focal length (dials previously taped to prevent accidental movement) as this will put your camera out of focus. Also, because It will most likely be completely dark by now, you might be best to use a torch to light your field of view while framing the new composition.
The northern night sky over Sanna Bay with the 7 bright stars of the Plough above the Small Isles| Sanna Beach, Ardnamurchan, Scotland | Steven Marshall Photography
Image 5: Under the Plough I - Sanna Bay, Sanna, Ardnamurchan
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    Author

    Hi, I’m Steven Marshall, a Scottish landscape photographer based at Rockpool House in the heart of the beautiful West Highland Peninsulas of Sunart, Morvern, Moidart, Ardgour and Ardnamurchan. Get in touch for photography tuition, tours and print sales.

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Steven Marshall Photography,  Rockpool House,  Resipole,  Strontian,  Acharacle,  PH36 4HX
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  • Home
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    • Image Galleries >
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